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Painless Pigeon

A lot of the poses we explore in classes fall into the category called “hip openers.”  This is a bit of a misnomer, as what they really are are poses that increase the lateral or external rotation of the femur (thigh bone) at the hip joint.  Many of my favorite poses, like Bound Angle, Garland, and Half Lotus, involve this particular action at the hip joint.  Ultimately, these poses, I believe, are preparations for sitting meditation practice when done in cross-legged seated positions, like Perfect Pose (Siddhasana), Easy Pose (Sukhasana) or Lotus variations (Padmasana).

Back to the misnomer of hip openers: The hip can actually open in many directions, including the front, back, sides of the joint, as well as internally rotating, as in Hero Pose (Virasana).  This is a good place to bring Pigeon into the discussion.

One-Legged King Pigeon Pose (Eka Pada Rajakapotasana), often just called Pigeon Pose, combines external rotation of the front hip joint and extension of the back leg (which opens the front of the back leg’s hip joint).  And if you have average flexibility like I do, you probably use props to do the pose safely and effectively, and possibly quite a few—a couple of blankets, a block, maybe even a bolster.  One reason this is helpful is that the front knee can be vulnerable to strain or injury if your front hip is really tight. The props tend to keep the front leg’s knee happy and healthy and the back leg’s knee cap comfortable.  And I personally get a lot out of this way of exploring Pigeon.

However, one day a few years back, my wife, Raven, also a yoga teacher, taught a version of Pigeon without props that gave me that satisfying sense of release and opening in my front hip and increased extension in the back leg without the risk of tweaking my front knee! She quipped that this version is called Wounded Pigeon on the Side of the Road.  And you will see why in just a moment.  This variation has become a mainstay in my yoga tool box, so without further adieu, here it is:

 

Sit in Sage’s pose, Bharadvajrasana, at the front right corner of your mat, shins tucked to your left, your outer right thigh parallel and up against the right side of your mat.  Support your torso on your right hand, placed a bit to your right.  You are going to keep your right buttock and hip on the mat at all times during this variation, I repeat, at all times!  Lift the left leg off the right and move it back just clear of your right foot.  Then, while leaning just a bit to the right, move your right shin forward until it is flush up against the front edge of your mat, making a 90 degree angle with your thigh.

Next, lean more to the right and a bit forward so you can begin to take your left leg back behind you until it is straight, allowing the leg to angle back and to the left back corner of your mat.  For those with back hip tightness, you may want to let your leg stay over to the left and even rest the inner edge of your left foot on the floor.

If you have more flexibility, you can carefully wiggle the left leg more in line with left hip and parallel with the long edge of your mat, even turning the toes under and lifting the back knee to increase the stretch of the back leg.

With the torso more upright, the work gets focused on the back leg, but if you begin to fold the upper body over the front thigh, you will find that deep satisfying stretch in the right hip and buttock areas.  The right knee should remain blissfully silent!

To come up, simple reverse all the actions to get back to your starting position in Sage’s pose.  Then, shift over to the left side and go for Wounded Pigeon on the other side!  Students with hip injuries or arthritis, as well as those with hip replacements, should get guidance from a qualified and experienced teacher when learning Pigeon, no matter what variation they do. 

Cultivating Awareness

With all the excitement and controversy of the New York Times’ excerpt of William Broad’s book, I’ve had some interesting conversations with colleagues and students about the topic of yoga-related injuries. One interesting factoid came from Yoga Journal contributing editor Jason Crandell, who discovered that each year there are about 86,000 emergency room visits for people who trip on their pets!

It made me consider how important it is to maintain a certain amount of awareness regarding your immediate environment all the time. Just as I would never consider getting rid of my loving pup just because I might trip on him due to inattention, so to I am not going to stop my incredibly beneficial yoga practice because of the much lower chance of injury.

I am not feeling defensive about the topic of yoga-related injuries. They are a reality, as are injuries with any physically based practice, which yoga asana is. I even teach workshops around the country to teachers in training on how to avoid injuring their students.  And I myself have sustained a few injuries over the 18 years I have been enjoying hatha yoga.  On one memorable occasion, it was directly due to my inattention.

On the very first day of my own teacher training, we were at the walls working on Handstands, and I was distracted and looking around the room as my classmate next to me came down from his arm balance attempt. Just so happened my hand met his descending foot, and I broke one of my metacarpal bones. From that day on, I have been very aware of those around me as I practice.

So what can you do to lower your chance of injury due to distraction and inattention?  The Yoga Sutra prescribes a specific set of mental practices that have bearing on this idea: one pointed focus or concentration, known as dharana, is practiced to hone the ability to concentrate on the present-moment circumstances. And discernment or discrimination, known as viveka, is practiced to give us the opportunity to evaluate our possible choices moment by moment.  (If you are looking for a great source to learn more about these concepts, check out Nicolai Bachman’s Yoga Sutra Workbook and audio CD collection.)

I use my mat as the place to practice these fundamental concepts. By setting the intention to focus on my poses, while simultaneously widening my field of perception to be mindful of those around me, I practice dharana. I practice viveka by evaluating my environment to pick the optimal spot to practice, and also to pause and consider the poses I’m being asked to explore, especially if I don’t feel prepared to do a more physically challenging pose. I have moved to a different spot in a room to better see the teacher, to move away from other students who don’t seem to be paying attention to what they’re doing, or just to have space to practice challenging poses, like Handstand.

I highly recommend integrating these yoga philosophy concepts into your yoga practice, boosting your attentiveness level and lowering the chance of these kinds of injuries. Plus, you’ll actually be present to win, as they say, the fruits of your endeavor!

Baxter Bell, MD, teaches in the San Francisco Bay Area and internationally, and is director of the Piedmont Yoga Studio's teacher-training program in Oakland, California. He is a contributing writer for Yoga Journal magazine and for the International Journal of Yoga Therapy, and created Yoga Journal’s Yoga for Stress DVD. Follow him on his other blog, Yoga for Healthy Aging or his website bellyoga.info