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Padmasana in Sirsasana

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Some people like a quiet room with no distractions to get some serious thinking done. I’m pretty sure some of my finest epiphanies have come from Tripod Lotus. I know, call me crazy, but there is a sense of strength and security that evolves from being in this pose. Lotus is such a compact pose for the hips. It’s neatly tight up–it offers a sense of security while you can’t help but feel strong standing on your head supporting your own body weight. Practicing this pose reminds me that I can be strong and secure–that practicing poses outside of my comfort zone frees me from fear and that the more energy I give to my strength the more powerful I make myself. I wish the same for you in this challenge pose. Make sure you have a good grip on Tripod Headstand and Lotus before you decided to marry the two together here.

Step 1:

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If you’re comfortable with your balance, set yourself up into Tripod Headstand in the middle of the room, or otherwise about 8 inches away from the wall. Every few breaths remind yourself to keep the elbows in over the wrists and the shoulders lifting up away from the ears. These two actions will keep the cervical spine safe and the shoulders supported. Once you’re in full Headstand, keep the left leg straight and externally rotate the right leg from the hip socket. This means the heel spins in and the toes spin out. Bend your right knee and drag the sole of the foot down the inner left leg until you land below your left inner kneecap. Aim to get the sole of your right food to the inner left thigh, like in Tree Pose. Keep the front ribs in (this will avoid the backbend fall-out) and tailbone lifting.

Step 2:

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From your Tree, slide the right foot over the left quad so the heel of your right foot is below the left knee. Wiggle the right ankle to slowly climb the foot down away from the knee cap towards the hip. This will be a very loose version of Half Lotus. Don’t worry about achieving a full Half Lotus here, the tightening will come later! Just do a “lazy” version of the rotation for now!

Step 3:

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It’s time to chop! Keep your right leg in the Half Lotus, then simply bend your left knee. The foot will land behind your Lotus leg. Continue this chopping action–lightly! Bend the left knee and use the chop to get the heel closer and closer to the left shin. The hips will continue to open and the knees will travel closer toward the ground (slight pitch in the lower back, just a touch!) until the chopping heel of your left leg reaches the right shin. Once the heel gets to the shin, it’s time to snuggle.

Step 4:

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Once your left heel makes contact with the right shin, wiggle the ankle until the heel slips in front of the right shin. You’ll be in an extremely loose Lotus. Time to snuggle! Wiggle both ankles leading with your heels. The right heel will wiggle towards the left hip and vice versa. Continue this snuggle action until you can’t tighten your Lotus any further. Descend your knees until the Lotus is parallel to the ground. Keep the belly in, shoulders lifting, and elbows over the heels of your hands. Keep your feet flexed (this protects the knees) and your toes wrapping around the thigh as if they were trying to hold on. Hold for 8 breaths then reverse your wiggle to unleash the Lotus. Lower into Child’s Pose and rest.

Kathryn Budig is jet-setting yoga teacher who teaches online at Yogaglo. She is the Contributing Yoga Expert for Women’s Health Magazine, Yogi-Foodie for MBG, creator of Gaiam’s Aim True Yoga DVD and is currently writing Rodale’s The Big Book of Yoga. Follow her on TwitterFacebook; or on her website.

Padmasana

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Lotus is one of the most iconic postures in yoga. It embodies the serenity and beauty that we all strive to manifest from our practice. Some people walk into a yoga room with zero experience and whip their legs into Lotus without a second thought, while many seasoned yogis struggle with even Half Lotus. This posture requires deep external rotation in the hips, which provides quite the challenge considering most us us have tight hips from hours sitting at desks, in cars, or from years of running and sports. The best way to find Lotus is by a series of hip-opening forward folds that we’ll go over here. If Lotus is a goal, I recommend doing these on a regular basis. Try the seated sequence from the primary series in Ashtanga–this will help immensely as well. Be patient though–pushing for a deep hip opener can result in knee pain or even injury. Listen to your body. Sensation is great, opening wonderful, but pain is never OK. 

Lotus pose exemplifies yoga–when the yogi is ready, the pose will come. You can’t push or break the rules. You show up, do your practice, do your best and when the time is right, it appears.



Step 1:

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Begin in Dandasana (Staff Pose). Bend your right knee and place the right ankle directly above the left kneecap so that the right foot hangs off the side of the left leg. Keep the right foot flexed and gently encourage the right knee toward the ground (never push on your knee). If this is a huge hip opener for you, stay here. Sit up tall and continue this pose until you can sit with ease. If you’re moving on, inhale, sit up tall, exhale and begin to lengthen out over the straight leg. If you can reach your left foot without rounding your spine, clasp the foot with both hands. Otherwise, use a strap wrapped over the ball of the foot. Root the hips, lift the belly, and reach your heart up. Keep any rounding out of the spine and don’t worry if the right knee doesn’t drop down–it’s takes time (and patience) to open the hip. Repeat on the second side.



Step 2:
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Janu Sirasasana is a fantastic and accessible forward fold that opens our hips. Begin again in Dandasana (Staff Pose). Bend your right knee and bring the sole of the right foot to the upper inner left thigh. Root into the hips as you take a large inhale, and twist the torso toward the straight leg. Try to line up your naval with your left kneecap. Exhale, walk the hands toward the foot without rounding the spine. Feel free to pause along the way or use a strap. If you reach the foot, grab both sides. Rotate your torso to help square your body. Roll the right side of your waist down and extend the heart. Take 8 breaths. Repeat on the other side.

Step 3:

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We’re starting to get into deep rotation territory! You may very well practice steps 1 and 2 for a long time. Don’t be disheartened by this. Hips take some love and time, as does Lotus! Start again in Dandasana and bend the right knee and grab the heel of the right foot. Draw it toward your belly button then spin the toes toward the ground so that they rest curled over the left thigh. Keep the heel flexed and digging in toward the navel (or where ever it lands) to protect the connection to your knee. You can use a block underneath the knee for support and practice sitting tall. Congratulations, you’ve reached Half Lotus. With time, deepen the pose by adding the forward fold–elongate the spin (no rounded spine) over the straight leg using your strap on the ball of the foot or holding both edges of the foot. Roll the right ribs down toward the ground and keep the heart extending. Repeat on the second side.

Step 4:

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Full Lotus time! Make sure that all the previous steps are accomplished with ease before attempting this pose. A regular forward-fold practice will get you on a strong path to this pose, so please practice patience! 

Repeat the beginning of step 3 but begin with the left leg in Half Lotus (this is traditional). Once the left leg is as snug as it can be while remaining comfortable, bend the right knee. Grab the right foot and, lifting the entire shin several inches off of the ground, lift the foot above the left knee onto the thigh. Drag the foot up toward the left hip flexor. Once the foot arrives at the crease of the hip and thigh, re-flex each foot and sit tall. No worries if one knee lifts off the ground, it will go down eventually. Sit here for 8 breaths or as long as the knees and hips are comfortable.

Kathryn Budig is jet-setting yoga teacher who teaches online at Yogaglo. She is the Contributing Yoga Expert for Women’s Health Magazine, Yogi-Foodie for MBG, creator of Gaiam’s Aim True Yoga DVD and is currently writing Rodale’s The Big Book of Yoga. Follow her on TwitterFacebook; or on her website.

Dwi Pada Viparita Dandasana

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I’ve had an uneasy relationship with backbends. My strengths had always been in inversions and arm balances because my spine is not the most flexible in the world. I used to get anxious anticipating backbends and would experience a sense of claustrophobia as my chest would open. It’s funny since the deeper the backbend, the deeper the release. I had such emotional baggage when it came to deep heart openers that my body would shut down even before it began.

With time, an open perspective and a dollup of patience, I’ve learned to love these poses. I especially adore Dwi Pada Viparita Dandasana (Upward-Facing Two Foot Staff Pose). The shape of this posture breaks away at the years of cement I’ve buried in my back, leaving me in a state of goofy bliss.

Enter this pose without expectation and don’t forget to breathe. Take a deep inhale before you change positions. Let movement come from the exhale. Open your heart, open your chest, open your options.

*Note: This pose is extremely deep in the chest so I recommend a few Sun Salutations along with a Headstand and several Urdvha Dhanurasana’s before you go into this Challenge Pose.

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Come onto all fours in front of a wall and interlace your fingers, tucking the bottom pinky finger in so it doesn’t get crushed. Place the knuckles against the wall and separate the elbows shoulder-width apart. Curl the toes under as the hips lift into Dolphin Pose. Keep your head off of the ground as the feet walk in towards the elbows. Outer edges of the arms wrap around the bone to stabilize the shoulders. Root into the elbows so there is no sliding or splaying. Keep the neck relaxed and the gaze slightly forward. Hold for 8 breaths and then rest.

Repeat Dolphin Pose. Lift your dominant leg and kick up against the wall. Once both of the feet are at the wall (the head is still lifting off of the mat), bring the entire length of the leg against the wall. The feet, calves, hamstrings and hips are now flush against the wall. Renew the wrapping of the triceps and rooting of the elbows. Do NOT let your elbows go wider than shoulder-width apart. Keep the legs resting against the wall with the tailbone reaching toward the heels. Draw the head and chest through the arms away from the wall. If the neck is not bothered, take the gaze towards the navel. Take 8 breaths. To release, lengthen the tailbone toward the ceiling to remove the legs from the wall. Kick back down and come into Child’s Pose to rest.

Step 2:

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Lie on your back with the knees bent and the soles of the feet flat and hip-width apart. Reverse your palms and place them down shoulder-width apart directly above your shoulders. Lift the hips, press into the feet, and come onto the crown of your head. Pause here. Practice hugging the elbows in over the wrists, drawing the tips of the shoulder blades toward the heart, and curling the chest. Next, place one forearm down at a time so the fingers are pointing in the direction of the feet. Interlace your fingers behind your head like you were setting up for Headstand. Once the hands are set, press down into the forearms to lift the head off of the mat. Continue the mantra of “triceps in, elbows root.” Imagine shrinking your armpits and firming the upper outer edges of the arms in. Gently practice curling the chest through the arms to open the throat and heart. Use the strength of your legs to help transfer more opening into the chest vicinity.

Step 3:

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Keep the curling of the upper chest and walk both feet several steps away from the upper body. Step the feet together so the inner edges touch. Push into the feet to work the legs toward straight or as far as they’ll comfortably go for you. Roll the upper inner thighs down and push powerfully into the big toes. Relax the neck and try to hold for 8 full breaths.

Kathryn Budig is jet-setting yoga teacher who teaches online at Yogaglo. She is the Contributing Yoga Expert for Women’s Health Magazine, Yogi-Foodie for MBG, creator of Gaiam’s Aim True Yoga DVD and is currently writing Rodale’s The Big Book of Yoga. Follow her on TwitterFacebook; or on her website.

Ganda Bherundasana

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This is such a “wow” pose when you first see it, like a yoga party drug. Ganda Bherundasana means Formidable Face Pose, which basically means it ends resting flat on your face with your feet on floor, straddling your head. You don’t see the full expression of this pose often (check out page 416 in Light on Yoga, by B.K.S. Iyengar, if you want to see a master perform this particular party trick). Suffice to say, we can practice prep variations of the pose and still derive some of the benefits, including toning of the spine and abdominal organs.

In the version presented here, we’ll focus more on the core-strengthening elements, and leave the face plant to the imagination. Still, students wonder how could it be possible to create even this shape in the body. Like any pose, it is very accessible when practiced regularly. I like to say that the impossible continues to be that way until one day it simply becomes possible. I’ve noticed students for from shy and coy to popping this pose in during transitions whenever they can. There’s a lot of joy that runs through the veins of this pose. My advice is to keep at this one. It WILL feel insane at first, but you’ll just end up insanely happy if you don’t give up.

Step One:

dd.JPGGrab two blocks and place them lengthwise on their medium height. The blocks should be shoulder-width apart. Come into Downward-Facing Dog with the fingertips directly behind the blocks.

Step Two:

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Walk the feet several inches forward into a shorter Down Dog. Bend the elbows placing the shoulder heads in the middle of the blocks. Palms remain flat with the fingertips directly behind the blocks. Walk the feet in like Dolphin Pose, ensuring the lift of the hips. This action is absolutely crucial to achieve the full pose. Get the hips high and keep them there! You’ll need this height to have something to kick toward (hips low to the ground won’t give you the lift of the pose we’re going for).

Step Three:

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Focusing on the height of the hips, lift one leg high into the air. Cultivate the energy of standing splits by keeping the hips square, back of the knee spreading, and the toes fanning wide. Reach the top leg like it’s cracked out on caffeine. You need to animate this top leg so the lower one has something to match–something to reach for.

Step Four:

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Keep the top leg reaching like it’s just had five espresso shots. Bend the bottom leg and give a slight hop. Once the bottom leg has left the floor, draw it up from the pit of your belly to bring the legs together. Hug the thighs close and spread the toes as if they’re trying to grab something off of the ceiling. NOTE: Your chin may rest on the floor as long as you don’t sit on it. The shoulders continue to press into the blocks to help release the base of the neck. Keep the core engaged and the tailbone lifting to prevent pitching or sitting in the lower back. Thighs hug tight to suck the energy and weight of the legs to the sky.

Step Five:

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Keep practicing this pose with blocks until it becomes second nature. Once you’re comfortable with the supported version you can play without the blocks. Start in a short stance Downward- Facing Dog. Lift one leg and reach intensely. Keep the gaze forward and bend the elbows taking the face toward the ground and past the fingertips. As you bend deeper, keep the hands shoulder-width apart but squeeze the elbows in toward each other. (I like to call this move Push-Up Bra pose–try to smush the ladies!) Rest the chest and ribs on the triceps, making sure that your bottom is still high in the air. Bend the bottom leg and give a slight hop or energetically pull the leg up to meet the top one by engaging the core and reaching almost obsessively towards the ceiling. Again, chin CAN rest on the floor (as you’ll often see in photos of this pose) as long as the shoulders don’t collapse. Though, I recommend keeping the chin off the ground to keep the neck happy and safe. This requires more squeeze through the arms and more lift through the legs.

Kathryn Budig is jet-setting yoga teacher who teaches online at Yogaglo. She is the Contributing Yoga Expert for Women’s Health Magazine, Yogi-Foodie
for MBG, creator of Gaiam’s Aim True Yoga DVD and is currently writing
Rodale’s The Big Book of Yoga. Follow her on Twitter; Facebook; or on her website.

Challenge Pose: Mayurasana

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When I first saw Peacock Pose it was not in the flesh. It was an insanely beautiful picture of Chuck Miller, which to this day will be the most amazing Peacock Pose I’ve ever seen. It’s funny how seeing graceful yogis execute advanced poses effortlessly makes them seem easier. I went to my mat thinking, “He looked so peaceful in that pose–must not be that hard!” What felt like a million times later and rolling off of my mat onto my neighbor until no one wanted to practice with me, I knew that Chuck was even more special than I thought–this pose was freakin’ hard! Peacock is the major road bump pose for Ashtangis who practice the 2nd series. It requires flexible and strong wrists and an entire body engagement similar to Plank. Except it’s Plank balancing on a toothpick. I guess the moral of the story is: Don’t rush this one. It is a gorgeous pose that will unravel its beautiful feathers when the right season rolls around. Until then, enjoy the process!

Step 1: Figure Out Your Rotation


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The first thing to contemplate is the rotation of the wrists. Traditional Mayurasana is performed with the fingertips facing the body and the pinkies touching each other. Try this rotation by putting the palms flat on the floor and gently pulling back. If this causes sharp pain (some sensation is normal, pain is not), you’ll move into the second rotation: heels of the hands touching, fingertips spinning wide so they face away from each other. If this still doesn’t work, you’ll practice Peacock with the fingertips pointing forward and the hands slightly narrower than shoulder-width apart.

Step 2:

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This set up is slightly awkward, but I find it is the most useful in the long run. Start on your knees with the toes curled under. Feet touch but keep the knees a little more than hip-width apart. Reverse your palms (or choose the rotation that works best for you) and walk the hands in as close to the groins as possible. The key to balancing Mayurasana is getting the elbows BELOW the navel. Bend one elbow at a time, working it as far below your belly button as possible. Again, this will feel awkward, but hang in there! Once you can’t get the elbows in any further, join the pinky edges of the hands and inner elbows together.

Step 3:

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Keep the gaze forward and step one foot at a time back into Plank so that you’re resting on the triceps and elbows. The back will round and there is a strong chance you’ll fall over. This is a slow and thoughtful transition, so remember to take your time. Once the feet are in Plank, try to either keep them at hip width or bring them together to touch.

Step 4:

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Unlike most arm balances, there is no “picking up” in this pose. The action of Peacock is to roll forward. This is why it’s so important to get the elbows low in the belly. Keep the arms firming into the mid-line. Slowly push on the balls of the feet to roll the chest forward. Extend the heart forward until the toes cannot roll and further forward. Once the feet leave the ground, broaden through the collarbone (imagine smiling through your chest), lift the chin, and extend the gaze. Squeeze the thighs together and spread the toes. Take 5 breaths–or as many as you can before falling over.

Kathryn
Budig is jet-setting yoga teacher who teaches online at Yogaglo. She is
the Contributing Yoga Expert for Women’s Health Magazine, Yogi-Foodie
for MBG, creator of Gaiam’s Aim True Yoga DVD and is currently writing
Rodale’s The Big Book of Yoga.
 Follow her on Twitter and Facebook or on her website.

Challenge Pose: Eka Pada Bakasana

Eka Pada Bakasana (One-Legged Crane Pose): A pose that strikes a chord of fear in the heart of all arm-balancing yogis. This pose is freakin’ hard. It is similar to its cousin, Eka Pada Koundiyasana I, but fiercer. It’s definitely the pose that would knock you off the monkey bars. That being said, how do you deal with a bully? With kindness and strategy! Realize that this pose takes patience, strength, awareness, and time. You cannot give up on this one even when it seems like it’s forcing you to. Bundle up your core awareness and keep coming back to this pose. If you want to achieve Eka Pada Bakasana, it needs to be put into a regular routine. So, start here and keep coming back for more until you’re soaring high above the monkey bars and into the future!


Step 1:

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There’s no need to even contemplate one-legged Crane Pose if we can’t rock it with both legs. Start in a low squat balancing on the balls of the feet with the big toes and inner heels touching. Separate the knees wide and walk the arms forward until they are straight. Stay low but walk the hands back in, wrapping the inner knees around the upper outer arms. Give the arms a solid hug with the knees. Keep this grip but lift the bottom. Bend the elbows and firm the forearms in. (A very important step. Arm balances are hard because we bear our body weight on the arms, which makes them buckle. Prevent this by firming to the midline to create height and support.) Shift the elbows over the heels of the hands and lift one foot to the bottom. Follow by lifting the second as well. Keep the gaze forward of the finger tips. Find a huge rounding in the upper body, keep the forearms firming into the midline and a soft, easy breath.

Step 2:
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It time to build strength on asymmetrical posing! I want you to imagine there’s a Thigh Master in between your thighs. Draw the inner thighs towards each other to create tension. The knees will slowly move toward the midline along the arm. Choose one leg to pull over to meet the second arm. Once it gets there, you will hold the arm in-between the two knees. There is a huge rounding of the upper back that prevents you from falling out through the center during the transition. Get a good grip under the fingertips and strong firming of the bent elbows in. Set this down or try to bring the original knee back into Crow. This will be a faster movement and don’t worry about it being pretty.

Step 3:

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The most common roadblock to this pose is not dealing with the hips. They have to remain HIGH. If we try to create the full pose with the hips low or parallel to the ground, the pose becomes extremely heavy. The higher the hips, the more extension and direct line of energy. Start in a slightly shorter stance of Downward-Facing Dog. Lift the right leg up into the air. Bend the knee and land it as high up the outer edge of the arm as possible. Keep the gaze forward and bend both elbows as you continue to firm them to the midline. Buns remain high in the air. Drag or slowly hop the back foot in to gain height in the hips. Hold this position for 5 breaths and rest or continue to Step 4.
Step 4:


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More than anything, it’s time to get confident. This is a STRONG POSE. Honestly, it’s probably one of the most challenging arm balances out there. When you enter the pose, there is no time for doubt. Trust yourself, your strength, and your abilities. Will you face plant? Possibly to likely, but you’ll get back up and do it again. Let’s pick up where we left off in Step 3. The hips are high and we want them to stay there. Keep bending the elbows as they draw in to create a platform. If it doesn’t bother your toes, drag the back foot in on the top of the foot (toenail side down) until it won’t drag anymore and must lift up. If this bothers your foot, do the hop variation. Once the back foot is close and needs to lift, you’ll feel a tug from the lower belly. Keep the lower belly engaged and extend the back leg as soon as it leaves the ground. It will feel as if your back leg has taken 8 espresso shots. Make that leg as straight as an arrow and spread the toes. Expand through the back of the knee. Keep the gaze forward, elbows tight and a round in the upper back. Shoot it back or set down and take rest in between sides.

Kathryn Budig is jet-setting yoga teacher who teaches online at Yogaglo. She is the Contributing Yoga Expert for Women’s Health Magazine, Yogi-Foodie for MBG, creator of Gaiam’s Aim True Yoga DVD and is currently writing Rodale’s The Big Book of Yoga.

 Follow her on Twitter and Facebook or on her website.


Jump-Through-to-Sit Action

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I take many yoga cues from being out and about in nature. One of my favorite gurus would have to be the duck. I live near canals and see them all the time. My dog is obsessed with tackling them and I adore watching their aquatic landing skills as they remind me of landing a graceful jump-through-to-sit. One little mechanic shift of their legs and they land seamlessly in the water just as I would want to on my mat. To this day, I channel the duck when working my jump-throughs, which also triggers a smile on my face–a duck is by no means perfect or even remotely intelligent, but the ability to step out of the crazy world, drink in some fresh air, and enjoy the world of the duck has given me this transition. So, hit up the lake or YouTube to see some ducks in action, and dive in!

Step One:

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Low-belly confidence is a major player in jumping through to sit. This exercise is helpful in strengthening the low belly and building awareness. Start seated with straight legs and two blocks on the lowest level next to each hip. Place a hand on the center of each block and gaze toward the toes. Press down into the blocks to straighten the arms and to lift the hips off the ground. Flex the feet but keep the heels on the ground, and hold for 8 breaths. Set back down and repeat 3 times. Once you get comfortable with this practice, try lifting the hips and one foot at a time. Eventually, you’ll lift the hips and both feet by squeezing the inner thighs, spreading the toes, and keeping the low belly engaged. This will be the ideal hover spot when you jump thorough to sit right before the buns hit the ground.
 
Step Two:
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Place the blocks the lowest level shoulder-distance apart (your hips need to clear the middle space). Come into Downward-Facing Dog with the hands on the center of the blocks. Depending on the size of your hands, the fingers may curl around the edges a bit. Push your hips up and back like you would a normal Down Dog, and take the gaze to the spot where you’d like your feet to land if they were to go through with straight legs.

Step Three:

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Time to imagine you’re a duck. When a duck gets ready to land in water, it flexes its little webbed feet so it enters heels-first, which creates a nice, smooth line when it hits the water. There’s no splash, just a clear dive in. The same thing goes for us in the jump-through. Take the gaze way forward to where you want your feet to land. Lift your tail feather high into the air and come onto the balls of your feet. Bend the knees and hop up and forward. Draw the thighs tight to the chest (it’s almost like Uttanasana in the air) and flex the feet as soon as they get close to the blocks. Continue to push into the blocks to maintain the connection to the low belly. You might land in Standing Forward Fold several times while trying this, or fall all over the place. That’s completely normal. This is a move that you have to practice over again and again.

Step Four:

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Once you’ve created your flexed duck feet, you’ll be able to clear the blocks. Instead of landing right onto your bottom (which will be the only way in the beginning), try landing in a hover. This means you keep lifting from the low belly, give a huge push through the palms into the blocks and a good round in the upper back. Hug the thighs together like peanut butter and jelly, and point-flex the feet as you spread the toes.

Kathryn Budig is a yoga teacher, writer, philanthropist, Women’s Health Magazine expert, Huffington Post, Elephant Journal, MindBodyGreen + Yoga Journal blogger, foodie, and lover of her dog. Follow her on Twitter and Facebook or on her website.

Challenge Pose: Kurmasana

Ever hear the joke about the snail and the tortoise?
Q: What did the snail say when he took a ride on the turtle’s back?
A: Weeeeeeeeeeeeeee!
Ah, get’s me every time (imagine a snail with a cowboy hat waving it happily in the wind). I digress. This week’s Challenge Pose is about Kurmasana (Tortoise Pose), and it is far from easy. But there is something to be said about the turtle’s laid-back demeanor.

This is an extremely deep forward fold (if you put this pose on its hands you’d be in the arm balance Titibhasana) and requires significant surrender in the hip flexors, hamstrings, and shoulders. If you get uptight in this pose, the body tenses and there is no chance of reaching the full expression. If you can trust that you’re going to get there exactly when you should (story of a turtle’s life), your body will relax and slowly melt into the deep folded shape. So, take a deep breath and take your time and dive into the beautiful world of Kurmasana. 

Step One:

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Beginning from standing gives us the leverage advantage for this deep forward fold. Start standing with the feet slightly wider than hip-width apart and fold forward with a small bend in the knees. Take the left hand to the left calf and begin to push into the muscle as to bring the shoulder deeper behind the leg. Imagine your legs are like straps on a backpack–you need to get that pack on! Repeat on the right side and then wiggle the feet closer together. Repeat this process until you can’t snuggle the straps (legs) any further up your arms.

Step Two:

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Maintain the depth of the forward fold from Step One. Rotate your palms away from you and bend both of the elbows so that the hands move toward your low back. Depending on your flexibility, you may be able to clasp the hands. If not, simply reach them toward the lower body and hold here for a good 5 breaths.


Step Three:


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Release the clasp or bend in the elbows but keep the depth of your forward fold. Place the hands flat onto the ground behind you, bending your knees and elbows. Lower your hips all the way to the ground to sit. Keep the inner thighs squeezing around the arms the entire time to prevent the legs from slipping away from their “backpack” position.

Step Four:


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Place the feet down onto the ground and extend the arms straight out to the sides. (You can take a moment once the feet are on the ground to gently work the thighs higher up the arms again before moving forward). Toe-heel the feet forward, gradually working the legs toward straight as you wiggle the hands wider, working toward straight arms. When you feel you can’t go any further, simply stop and breath. This pose can feel claustrophobic, so take your time and keep the mind easy.

Step Five:

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Once your body allows you to have straight legs and arms (this will require hamstring, hip flexor, and low-back opening) then you’re ready to poke your head out of your shell and squeeze! Hug the inner thighs tightly around the shoulders and engage the entire length of the leg. Lift the feet off the ground with this action, point-flexing the feet and spreading the toes. Firm all 5 fingers evenly into the floor and extend the sternum forward. Soften the eyes and take 5 breaths. Set the feet down, bend the knees and slowly draw the arms back in to release.

Kathryn Budig is a yoga teacher, writer, philanthropist,Women’s Health expert, Huffington Post, Elephant Journal, MindBodyGreen + Yoga Journal blogger, foodie, and lover of her dog. Follow her on Twitter and Facebook or on her website.